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And to track Wick himself, the Adjudicator dispatches a wisecracking sushi-chef/contract killer called Zero (Mark Dacascos).Įvery single one of the abovementioned actors are allowed to do interestingly idiosyncratic work with their roles, but as usual the film is all about Reeves. Meanwhile, a ruthlessly by-the-book bureaucrat known as the Adjudicator (Asia Kate Dillon) arrives at the Continental to dispense further punishments related to the Wick affair, which includes some intense jousting – verbally, for once – with Wick-sympathizers Winston (Ian McShane) and Bowery King (Laurence Fishburne). There he has a rendezvous with another character from his past, Sofia ( Halle Berry), who is reluctantly convinced to accompany Wick into battle. Wick calls in a favor, securing safe passage to Morocco, where he hopes to find the mysterious leader of the High Table and offer to atone for his crime. He escapes the madness long enough to find sanctuary with a high ranking High Table figure (Anjelica Huston, reimagining Morticia Addams as an angry ballet director) who was once his mentor. (As a general rule, watching Wick kill people with anything other than a gun is always more interesting than watching him kill people with a gun.)
How many shot in john wick 2 movie series#
As always, Reeves is a joy to watch, and he flings himself into a series of improvised battles armed with, among other things, a horse, a belt, and a public library book that he thoughtfully returns to the shelf afterward. The opening fight sequence is by far the best and most frenetic the film has to offer, as Wick scrambles for safety across Manhattan while countless gangs of assassins spill out of the woodwork in pursuit it’s like watching a hyper-caffeinated version of “The Warriors” played at triple speed. This means that he has a $14 million bounty on his head, and hundreds of his fellow contract killers are eager to claim the prize. John Wick, the once-retired assassin spurred back into action by the death of his puppy, has been declared “excommunicado” by the High Table - the leadership of the shadowy secret society of killers to which he once belonged - as punishment for committing a killing in the Continental Hotel, the assassin world’s designated safe space. There are only so many times you can see a bullet pass through a skull before it gets deadening, and then almost dull.ĭirected once again by stuntman-turned-director Chad Stahelski, “Chapter 3” begins precisely where “Chapter 2” left off.
But as masterfully executed as the action is, watching two-plus hours of mayhem without any palpable dramatic stakes, or nuance, or any emotion at all save bloodlust offers undeniably diminishing returns. On a level of pure craft, then, “John Wick 3” is unquestionably great action filmmaking - certainly the most technically accomplished of the series thus far, with a good dozen scenes that could only have been pulled off by a director, a stunt team, an editor, and a cast working at the absolute highest level. Action filmmaking is one of the purest forms of cinema that exists, and fight choreography can be as graceful, intricate, and demanding as ballet.